![]() ![]() However, much like the FX9, the FX6 also has a gyroscope in it. Sony claims that it is impossible to squeeze in IBIS with a variable ND filter. You are limited to the stabilization available in Sony lenses. What type of stabilization is in the Sony FX6? If we get our hands on a review sample we’ll let you know what the reality is. It remains to be seen what effect it has on dynamic range. I guess it should be easy to shoot with this camera to ISO 80,000 without penalty. What is clear from the launch video is the low light performance has improved a lot. Having two base ISOs will provide documentary filmmakers, wildlife filmmakers and journalists with a massive amount of freedom on the field. There are two Native ISOs for the Sony FX6: One at ISO 800 and the other is ISO 12800. The ISO range for video is 160 to 409,600 in S-Log3. To know more about dual native ISOs, check out this article: The camera has a dual native ISO of ISO 800 and ISO 12800. What is the dynamic range of the Sony FX6?Īccording to Sony, the dynamic range is about 15+ stops in S-Log3. The maximum frame rate for HD is 240 fps. About 30 minutes on a 160 GB card at 600 Mbps for 59.95p.About 74 minutes on a 160 GB card at 240 Mbps for 24p. ![]() About 15 minutes on a 80 GB card at 600 Mbps for 59.95p.About 36 minutes on a 80 GB card at 240 Mbps for 24p.Just to put some perspective, this equates to: If you want to grade your videos, you might want to stick to XAVC-I, because it gives you the least compression in 10-bit 4:2:2. *The best quality image is only available up to 60p. Here are the data rates for 10-bit 4:2:2 for the Sony FX6 ( Amazon, B&H): Frame rates at 4K This crop also applies to 16-bit RAW externally. It’s not a big difference, but it’s important to highlight, especially if you’re trying to match the FX6 to other full frame cine cameras. E.g., a 50mm lens will give you a 35mm equivalent of about 55mm. A complete visual representation of the filmmaking process from beginning to end. You can transfer video directly to a computer via USB-C 5Gbps (USB 3.2).Įxclusive Bonus: Download your FREE Blueprint: How to make a movie.Proxy files can be written in 8-bit 4:2:0 XAVC-L 1080p at 8Mbps.16-bit RAW output is available in both 4K DCI and UHD up to 60p, via SDI.Dynamic range is claimed to be 15+ stops in S-Log3 (S-Gamut3, and S-Gamut3.Cine).You get 10-bit 4:2:2 internally in all modes.Best file format is XAVC-I (up to 60p) and XAVC-L (up to 120p).You get 4K DCI (4096 x 2160) up to 60 fps and UHD up to 120 fps.But not at true 24p!! That’s a real head scratcher. You get continuous auto focus all the way to 120p.There is a 10% crop in 120p, and with RAW over SDI. ![]() ![]() Sometimes it’s worth reading the fine print: In practical terms though, adding accessories, heavier batteries, etc., will change this. What is actually commendable about this achievement is that Sony did not make any huge sacrifices when it comes to the overall performance of the camera to achieve this weight. The Sony FX6 weighs only around 890g (body only) lower than the Red Komodo’s weight by 10g. Let’s go over some important quirks and features of the Sony FX6 ( Amazon, B&H) for cinematography and video. It’s natural for a serious video shooter and filmmaker to be interested in this camera. ![]()
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